how to hide

Anna Laurens
4 min readOct 19, 2021

The doors slide open and the subway train sound

beeps in announcement

once

twice

You step up onto the edge into the subway car and scan it

and estimate

what seat will be the furthest from anyone else on the car

You take one of many empty orange seats facing the other side of the train car

in the corner and look down,

pulling out your book with purpose, eyes controlled,

every part of your body is aware, tensed, muscles clenched,

your headphones play an indie-pop song about love and you can’t hear it anymore

the men that followed you into the car are animated talking about something with large hand motions

and your heart speeds, thunders, your teeth grind

Don’t look at them. Keep your eyes down.

Look at the book, cross your legs.

Please don’t sit near me. Please.

They pick seats where you hoped they would on the other end of the car.

A breath escapes you.

Not far enough because their drunken voices compete with your music blaring in your Noise Cancelling Headphones you brought for this reason.

You check your phone with the book still in your lap.

12:45am. No texts, no notifications.

You turn up the volume on your phone

The train starts speeding and

through your mask, you smell shit and faint traces of marijuana.

You think about putting your hair up,

Making your body take up more space, you uncross your legs

Making yourself seem less approachable

Less favorable to someone who thinks about approaching

Make your body say Don’t Fuck with Me

Make your eyes seem harder,

not angry but not kind either,

eyebrows up but not too furrowed,

assuming calmness

If you look angry, they want to fight

If you look kind, they want to talk

You open your book and re-read the same line

once

twice

but instead of thinking about the words

you are thinking about how it is just you

and two men on the train

and the space that exists between you

how no one would see

anything if they made a choice

why is it always just men on the subway this late?

Why?

you know why.

The indie-pop artist continues to serenade you in your headphones about the man she loves.

two stops pass,

once

twice

the men are laughing without a care in the world, arms wide, hands exaggerating

your jaw is clenched, your mouth is a line

and you wish you could hear your music

and your breathing is quiet and unnoticeable

you cross your legs again

Another man enters the train with a pizza box

The smell of grease and cheese wafts into the car

Your stomach grumbles.

He sits across from you and looks

Directly at you and bites a piece off his slice

Chewing with his mouth open, he moves it at you,

requiring you to respond

But you can’t hear him because your music muffles his voice,

singing about love and heartbreak.

Your heart races and you feel it in your ears,

You feel it against the hard chair your back is pressed into

and you stare down at your phone you just picked up

and look at it intensely and pray

for the next stop to come soon.

You ignore him like a good New Yorker and hope he gives up

He waves his slice at you and says Hey and repeats his question

How Are You Doing Tonight? chewing

You know this because you had to pause your music to make sure

you heard him in case he was saying something

you needed to hear

or in case he would start getting closer

if you didn’t give him your attention

you wonder if he is talking to you

because your legs are crossed, and you are making yourself small

you remember a man you ignored on another train another night

who knocked your phone out of your hand and pointed at you and yelled

when you tried to ignore him and burned a hole through your phone with your eyes.

you pretend you are in control when you ignore

but you know they could do anything they want

when you are looking away at the empty seats across from you and

silently pleading

You stare into your phone like it’s the most interesting thing you have ever seen

and look at nothing on the screen

trying to think this one will be different

praying

you uncross your legs and

you wait.

Until the next train sound beeps at the next stop

once

twice

And you grab your things

and your jilted book and you sprint

out as the doors slide apart onto the train platform

and look like it’s your stop

Then you jog down the platform into the next car connected to the one you just left

afraid that if you went to the car further away,

the doors would close on you before you made it there

You find another orange seat and hastily sit down

Put the book on your lap again.

You breathe or sigh

Once

Twice

And you look into the window of the door connected to the train car you just left

You pray he doesn’t follow you

Or see you

And you try not to look at the door connecting the train cars

And you take a breath as the train beeps again

Once

Twice

and the doors close and

you wait for the next man to step into the car and you pray it’s not one with a pizza box

you uncross your legs

your playlist moves to a dance-pop song about wanting to sleep with a guy you just met on the dance floor that you don’t hear

And you think you could die tonight

And you skip the song

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Anna Laurens

Writer, therapist, feels too many things but makes lots of good things too | nyc based *they/them*